Collections

Subtle neutral wood frame. Inside the frame there is a Cotman's painting of the Refectory of Walsingham Priory in Norfolk. It was painted with oils using a lot of white, brown and blue colours.

Framing a Watercolour

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Explore the different framing trends for watercolour paintings through the John Sell Cotman exhibition at Leeds Art Gallery.
Grey table with two skulls next to each other. The Dalton Parlours skull with missing pieces before the conservation work and a plastic skull next to it to help the reconstruction

Skeletons: Coming Face to Face with the Past

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Conservator Emma pieces together the Dalton Parlours (AD 200 -370) skull on display in the Skeletons: Our Buried Bones exhibition.
Black and white cartoon of the Rival Shows. You can see a big crowd around three stages. Men are standing on the stage giving speeches and they have been illustrated with big heads

Elections Through our Collections

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Explore how parliamentary elections in Leeds have changed over the last three centuries through our collections.
Hand from one of the exhibition’s skeletons

Installing Skeletons: Our Buried Bones

Curator Ruth Martin answers the age old question: what does it take to change the temporary exhibition gallery from one show to another?
an image of an old cardboard box with "Two dozen Bray xxx inverted gas mantles" printed in red. Next to it is a small inverted mantle.

Lighting up Leeds: The Story of George Bray & Co

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Discover the history behind Leeds businessman George Bray, the 19th century gas lighting pioneer who changed the face of Britain.